Vaikhari, which in sanskrit means intelligent and articulate utterances, primarily focusses on “padhant” which is the art of recitation of mnemonic syllables used in Hindusthani Classical Music and Dance. The film incorporates different artistic streams in allusion to padhant thereby aiming at a profound aesthetic experience of rhythmic utterances in its multiple manifestations. Kalidasa’s immortal Meghdootam serves a template for narrative development while creating a realm of different temporal designs fabricated by various rhythmic elements (percussion, dance) where padhant lies at the nucleus of contemplation and subsequent artistic expansion.